Thursday
Jul292010

Integrate: Because Creative Work is Lid-Resistant

No one has more beautiful lids in her kitchen than my friend, Hula.

The idea for the Integrate Retreat began in my inbox.  The Take Me with You journal had come out, and I was hearing all kinds of things from you, dear readers, about where you were at on your journey of recovering or finding your voice.  What fears you were battling and what you were up against in your mind.

And it was so familiar.

Fear about what would spill out on the page was a common theme.  Most of us have a certain level of awareness that there are thoughts, ideas, or even whole parts of ourselves that we keep under wraps.  Things that feel threatening, as if they could really shake things up or make it impossible to put off change any longer.  Or some of them are things we don't particularly want to get out--we don't want to be known for them, even known by ourselves.  We get so used to it that we stop realizing just how much energy it requires to keep the lid on.

Just don't pick up a pen.  Just be careful who you talk to.  Just avoid that topic.  Just don't go there.  We make up strategies and do our best to execute, but slivers of longing still find their way out through the cracks. 

I know this.  I know it so well.  There's something about creative work that is lid-resistant.  Whatever our medium, whether we are painters or photographers or storytellers, to access the kind of freedom we need to create good work we are required to loosen our grip.  Including our grip on ourselves.

I hadn't been writing for very long at all when some very disruptive words leaked out onto my page.

"It's okay if I'm not brave," they said, "because someday my girls will grow up and they will be brave and they will live in exciting cities."

I don't think I'm the only one who would be stopped in her tracks by such a thought.  I had a 3-year-old and a newborn baby, a house and two dogs in the suburbs.  I wasn't even 30 years old yet, and I was already settling for a life that some part of me didn't want.  And I had been very happy to ignore that.  For years.

But seeing it in black and white--where I couldn't avoid knowing any longer that I was on a path of not following my dreams and then pressuring my children to do what I had not been brave enough to do myself--well, it was a point of no return.  One I didn't ask for, and one I never saw coming.

Slivers of longing still find their way out of the cracks.

I set off to uncover this exciting-city-loving girl and to welcome her into the fold.  She had been there all along, in fact she had probably had some hand in marrying an exciting-city-loving boy all those years ago.  And so, with a 3-year-old and a newborn baby, we began the adventure of a whirlwind move to Brooklyn, a place that mysteriously fits us so, so well.

I know what it's like to be afraid, to use so much energy to coax myself into Just Being Okay.  Who wouldn't want a pretty little house in the suburbs?  It was supposed to be what I wanted. 

Keeping the lid on was exhausting--practically a full-time job.  Taking it off shook everything up, like an earthquake running through my inner universe.  But on the other side, I got to be more free, more true, more whole.

This is one way integration shows up in our creative journeys.  If there's one thing I believe, it's that we shouldn't ever have to go it alone.  To have conversations that change everything forever, and to create a community for ourselves of people who are on the same kind of path--these can be the foundations that keep our quaking worlds from shattering.  This is why we are gathering in November: to be together, to loosen our grips on that lid, and to witness the adventures that are just waiting to find us.  There's a spot there, just for you.  And a dream in my heart that you will come.

Friday
Jul232010

When the Cameras Break

photo by Tracey Clark

Every summer, I gather for a few days with friends on the Oregon coast.  It's a refuge, really, from work and worries and woes, to revel in the simple pleasure of being together. 

I was so excited to have my panoramic camera this year, dreaming of wide ocean views, but it broke within minutes of my arrival at the shore.  Then I thought I'd switch to instant film, but that equipment, too, stopped working. I dug through my bag for back-up plans and equipment, and grabbed my digital camera for a day-long outing.  We were there five minutes when the battery died. 

I just kept trying to breathe, and to move from Plan E to Plan F to Plan G.  I ended up with a few Diana shots (with a standard shape I've never tried before), but after recharging I mostly shot with my digital camera, which is rare for me.  I also remembered to pull out my new Flip Video and play with it a bit.

I put this little project together with the digital shots and clips.  I'm hoping that it reminds me all year long that surprising (and even beautiful) things can happen when it seems like everything's going all wrong. 

Photos taken with a Canon Rebel XTi and a 50mm f1.4 Lens .  Thanks to the good people at Lomography for solving all my equipment problems when I got home.  And thanks to my friends for all the ways in which they restore my soul.

Thursday
Jul222010

Held

The waves call you out with each wall
of white bubbles that reaches up the beach to meet you--
the sun promises to warm your cheeks
even as the wind whips your locks to and fro.
So out you go in the morning mist, into the gray air
folowing a trail of seagull steps and paw prints.
The water comes up and runs high on your boots,
sinking into your feet a coldness it has carried for many miles,
from ancient years.

This sea is as old as the earth itself,
older than you feel when life rushes high
and leaves you standing in its cold.

A rock comes up near your feet, nudged closer
each time an arm of water gives it some encouragement.
It travels up and up the shore,
then settles deep into the sand
moving whenever the water wills
and staying wherever the sand catches it.

You turn your back on the water
as if to go someplace you like to call “home”,
but then the wind catches you from behind.
Your feet ask you to stay a little longer,
invited by a soft spot in the shore.
The air presses its palm into that low place on your back.

With the rhythm of an ancient ocean behind you
a wind that has come so far and so fast to meet you
and a firm sandy floor beneath you,

you let yourself lean
let yourself rest
and finally

finally

you let yourself be held.

Thursday
Jul152010

Podcast: The Soul Care Garage

Horizon Perfekt, cross-processed Afga 200 35mm filmHere are a few thoughts for you before I go.  As is generally the case, this podcast is uncut and unedited--just some raw musings from my studio.  You can find previous podcasts here.  I mention David Whyte's work, What to Remember When Waking, and here's the soothing music I'm listening to this morning.

The Soul Care Garage

Monday
Jul122010

Hoist

In just a few days, I'll gather with friends on a pale, cloudy shore.  When I think about it, this joy swells up in me at the anticipation of being together, immediately followed by a wave of tears.  This happens every year.  I don't know if it's related to having little children around, the distraction of daily routines, or just this expedient thing where I shove my emotions to the side so I won't be slowed down by them--but at any rate, on the eve of these trips I feel the degree to which I haven't been fully inhabiting my experiences.

There was a time in life when I could lay in bed until it was all laid out, when no one clamored for help with her morning cereal or a trip to the playground, but I can't remember if I ever took advantage of that time.

There has not been enough weeping to properly acknowledge the heartbreaks and losses of this year.  I've longed time and again for proper mourning rituals, like ashes on my head.  There has also not been enough celebration and acknowledgement of our victories, which seem few and far between in this absence.

"I can't remember the last time I felt like magic," I tell her.

"I can't, either," she says.  "Feeling like magic may be overrated. There are times to be of the earth, humble and broken."

And so we are. 

This year has brought me low.  It ended my belief in happy endings after painfully pointing out that I was still holding out for them.  A real life ending may be good, or right, but it is guaranteed to be more complex and contradictory than happily ever after.  It is also likely to not look like an ending at all, but merely a passing into someplace new.  Often that place is something we never asked for.

Reality has a conversational nature, he says. We neither get exactly what we would have, nor do we get exactly what the world would give us.

We may speak often of hope and of love, but I assure you--we do not live in a land of pipe dreams.  We live in a world of thwarted plans, heartbreaking compromises and unbearable loss.

And yet, all there is to do down here in the dirt is to hoist the heavy places in our hearts out to sea or into the flames.  To weep for our sorrows and celebrate our joys.  And to keep hoping anyway.  To keep loving anyway.

Even as we limp. Even as we crawl.

Friday
Jul092010

To Look with Open Hearts

I don't want you to miss this talk Jen gave on How Photography Can Make a Difference at the Evo '10 Conference, put into this lovely video by She Posts.  From buying her first camera to traveling around the world--this is one journey you can't miss.